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choose a film to view and to write a short 3 to 4 page essay. [12], Stewart related that midway through filming, Wayne asked him why he, Stewart, never seemed to be the target of Ford's venomous remarks. A great scene from John Ford's western. Though based upon the movie's plotline, it was not used in the film. https://www.britannica.com/topic/The-Man-Who-Shot-Liberty-Valance-film-1962, Turner Classic Movies - The Man Who Shot Liberty Valance, AllMovie - The Man Who Shot Liberty Valance, The Man Who Shot Liberty Valance - Student Encyclopedia (Ages 11 and up). Upon entering the territory as a young attorney, Ranse is beaten and robbed by Liberty Valance and his gang. As presented through another flashback within the flashback that frames the story, Tom tells Ranse it was he, Tom, who fired the fatal shot killing Valance, not Ranse. Ford called out, "Don't hit him, Woody, we need him." Genres: Western, Drama. The studio also specified that Wayne's name appear before Stewart's on theatre marquees, reportedly at Ford's request. "You might say I'm old fashioned, but black and white is real photography. I'm glad you made it. In 2007, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."[3][4]. Ranse's wounds are treated by Tom's girlfriend, Hallie, and others, who explain to him that Valance terrorizes the residents, and the town's Marshal Appleyard is powerless to stop him. "[20] Portions of the song There'll Be a Hot Time in the Old Town Tonight are played in scenes by bar musicians and a marching band. The screenplay by James Warner Bellah and Willis Goldbeck was adapted from a 1953 short story written by Dorothy M. Johnson. When the legend becomes fact, print the legend." "[9], Another condition imposed by the studio, according to Van Cleef, was that Wayne be cast as Doniphon. Film, Action and adventure. "[35] The New Yorker's Richard Brody described it as "the greatest American political movie", because of its depictions of a free press, town meetings, statehood debates, and the "civilizing influence" of education in frontier America.[33]. Amazon.com "When the legend becomes fact, print the legend." Rewatched by Nate. In The Man Who Shot Liberty Valance, the newspaper editor says, "This is the West. Multiple stories and speculations exist to explain this decision. Ranse and Dutton Peabody, the local newspaper editor, are elected, despite Valance and his gang's attempt to bully the residents into nominating him in order to represent the cattle barons. [15] "Wayne actually played the lead," Ford said, to Peter Bogdanovich. In a tale told in flashback, he relates how he arrived in Shinbone hoping to establish a law office but found the town terrorized by Valance and his gang. You've got to know your job, lay your shadows in properly, get your perspective right, but in color, there it is," he said. "[24], The Monthly Film Bulletin agreed, lamenting that the "final anticlimactic 20 minutes ... all but destroy the value of the disarming simplicity and natural warmth which are Ford's everlasting stock-in-trade." Stoddard, who rode to fame as a tenderfoot lawyer credited with having fatally shot the notorious gunman Liberty Valance (Lee Marvin), makes a startling confession to local newspaper reporters. Our editors will review what you’ve submitted and determine whether to revise the article. The Man Who Shot Liberty Valance, American western film, released in 1962, that was John Ford’s poetic and sombre look at the end of the Wild West era. As one journalist says—in the film’s famous tagline— “This is the West, sir. Add a review? [33] Director Sergio Leone (Once Upon a Time in the West, The Good, the Bad and the Ugly) listed Ford as a major influence on his work, and Liberty Valance as his favorite Ford film. He tosses down Aces and Eights - The infamous "Dead Man's Hand". In the present, Stoddard's political accomplishments fill in the intervening years; but his story will not be published, with editor Scott stating, "This is the West, sir. Wayne later told Strode, "We gotta work together. Author/co-author of numerous books about the cinema and is regarded as one of the foremost James Bond scholars. Our latest episode for parents features the topic of empathy. Yet, while it is an enjoyable film it falls distinctly shy of its innate story potential. We both gotta be professionals." "[10][13], Ford's behavior "...really pissed Wayne off," Strode said, "but he would never take it out on Ford," the man largely responsible for his rise to stardom. The story opens with the return (studio) 4 of 7 found this interesting. Tom regrets saving Ranse's life, because he lost Hallie to him; but, he encourages Ranse to accept the nomination and make Hallie proud. he demanded. Three Classic Westerns in Box Set. re: The Man Who Shot Liberty Valance Posted by Kafka on 12/12/20 at 8:29 pm to L1C4 Marvin steals it Jimmy Stewart is to old for his role (even he agreed). (Wayne's football career at USC had been curtailed by injuries.) The song spent 13 weeks on the Billboard Hot 100 chart, peaking at No. Liberty Valance is going to get shot. [19] The film scholar Kathryn Kalinak notes that Ann Rutledge's theme "encodes longing" and "fleshes out the failed love affair between Hallie and Tom Doniphon, the growing love between Hallie and Ranse Stoddard, and the traumatic loss experienced by Hallie over her choice of one over the other, none of which is clearly articulated by dialogue. [6], Others have interpreted the absence of the magnificent outdoor vistas so prevalent in earlier Ford Westerns as "a fundamental reimagining [by Ford] of his mythic West" – a grittier, less romantic, more realistic portrayal of frontier life. "The Man Who Shot Liberty Valance," the New Yorker's Richard Brody writes, "is the greatest American political movie." Updates? The Man Who Shot Liberty Valance (1962) cast and crew credits, including actors, actresses, directors, writers and more. Corral. Short Interpretation of the film The Man Who Shot Liberty Valance (1962). 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